︎

Siyeonkim

contact@siyeon.kim
Mark
  1. A Paradise Built in Hell, 2021
  2. Doomsday Vault, 2021
  3. They Build Us, 2021
  5. Speciesism, 2020
  6. Be Aware or Be Next!, 2020
  7. A Requiem Mass Series, 2020
  9. Obstacles of Gender Equality Awards, 2019
  10. Despite The 4th Industrial Revolution and Shit, Domestic Labor are Still Fxxking Hell, 2019
  11. Women-Work-ers, 2019
  12. The Outside, 2018
  13. About the Small Life and Huge Ideology, 2018
  14. We Persist, 2018
  15. la plaisanterie, 2017
  16. Fragile Days, 2017
  17. We pre-dream the deaths of our beloved, 2015
  1. Sculpted Celadon of the Goryeo Dynasty, 2024
  2. A Dreamlike Old Sad Story, 2024
  3. MMCA Hyundai Motor Series, 2023
  4. One Hundred Years of Travels—Prologue, 2022
  5. Picture Bride, 2022
  6. Crows Eye View, 2022
  1. Motion Graphics for Into the Rhythm, 2024
  2. Exhibition Graphic for The Silly Healy Milky Show, 2023
  3. Exhibition Graphic for MARKTIME, 2020
  4. Graphics for Femiscope, 2018

︎︎︎Fragments︎︎︎
Mark

︎

CV

RandomPage

Fragments


Original Projects

  1. A Paradise Built in Hell, 2021
  2. Doomsday Vault, 2021
  3. They Build Us, 2021
  5. Speciesism, 2020
  6. Be Aware or Be Next!, 2020
  7. A Requiem Mass Series, 2020
  9. Obstacles of Gender Equality Awards, 2019
  10. Despite The 4th Industrial Revolution and Shit, Domestic Labor are Still Fxxking Hell, 2019
  11. Women-Work-ers, 2019
  12. The Outside, 2018
  13. About the Small Life and Huge Ideology, 2018
  14. We Persist, 2018
  15. la plaisanterie, 2017
  16. Fragile Days, 2017
  17. We pre-dream the deaths of our beloved, 2015

Participated Projects

  1. Sculpted Celadon of the Goryeo Dynasty, 2024
  2. A Dreamlike Old Sad Story, 2024
  3. MMCA Hyundai Motor Series, 2023
  4. One Hundred Years of Travels—Prologue, 2022
  5. Picture Bride, 2022
  6. Crows Eye View, 2022

Comission

  1. Motion Graphics for Into the Rhythm, 2024
  2. Exhibition Graphic for The Silly Healy Milky Show, 2023
  3. Exhibition Graphic for MARKTIME, 2020
  4. Graphics for Femiscope, 2018

Mark

Prev